Jumat, 15 November 2013

Free Download , by John D. MacDonald

Free Download , by John D. MacDonald

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, by John D. MacDonald

, by John D. MacDonald


, by John D. MacDonald


Free Download , by John D. MacDonald

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, by John D. MacDonald

Product details

File Size: 1683 KB

Print Length: 273 pages

Publisher: Random House (January 8, 2013)

Publication Date: January 8, 2013

Sold by: Random House LLC

Language: English

ASIN: B008WOO5TS

Text-to-Speech:

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Word Wise: Enabled

Lending: Not Enabled

Screen Reader:

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Amazon Best Sellers Rank:

#12,176 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I fell in love with the Travis McGee series when I was a kid, reading them as they came out. Lost my early copies as I moved around. Later in life I replaced and reread them, kept moving and left them behind again at another place. As an old man a few years ago I decided to buy the series on my Kindle as a Christmas treat for myself. Starting at the beginning with #1(1964), The Deep Blue Goodbye I was underwhelmed and by the time I was part way through #6(1965), Bright Orange for the Shroud I found myself put off by how harshly MacDonald treated his minor characters,and by the way he criticized everything from vegetarians to yoga(disclaimer-I'm partial to both). I stopped reading the series in the middle of the book. Bored one day a few years later I tried the last McGee book MacDonald wrote #21(1985), The Lonely Silver Rain and found MacDonald was just as satisfying but less critical or maybe it was just me who had grown up. Then I tried #18(1979), The Green Ripper and it too showed a less judgmental MacDonald. Deciding that he had changed somewhere along the way I decided working my way backwards would be the safest bet and tried # 16(1975), The Dreadful Lemon Sky,and again I found it to be an excellent read. John D. MacDonald has always been a consummate writer and in his later years before he died in 1986 he seemed to have worked through enough of his demons that he treated the world and his characters with more compassion. May we all do the same.

"Silver" is last of the twenty-one-book McGee series. On the page-turner scale, it's about mid-range, but still worth the rather high price. Unlike some authors, JDM did not run out of steam before he ran out of time. He maintained a consistently high quality of work to the end, and in the process he inspired some of today's most successful authors. How did he become a legend among fiction writers? We have three clues: the character, the suspense, and the writing style.  The character, Travis McGee, is a righter of wrongs whose methods are sometimes illegal, a very popular type of protagonist. The appeal of this type is in the double dose of conflict. The hero must contend with both the villains and the authorities who would toss him in jail if they could. McGee has a high level of empathy and a passion for rescuing or avenging innocent victims. We know this by his actions, not his words. The stories are told in the first person, so JDM's witticisms and wry commentary become McGee's voice. McGee is easy to like. We admire his deeds and enjoy his company. His lifestyle, aboard a house boat in Ft. Lauderdale, adds color and charm. The suspense is best conveyed by examples. McGee is drifting rapidly in a hot air balloon, forty feet above the ground, being chased and shot at, and heading for power lines (the "Crimson" story). McGee is lying underwater with his eyes half open, looking up at the face of the villain, and hoping the villain believes he's dead ("Turquoise"}. McGee and a friend are trapped in a dark cave, searching frantically for some means of defense against the rifle-toting killer pursuing them, when they discover they're not alone ("Purple"). JDM's suspenseful situations are among the best, but some of his plot structures could use tightening. Ideally, suspense should be building steadily, rather than happening randomly. The writing style is the crowning glory of the series. JDM's world is filled with galloping cars, marching groves, muttering thunder, vectoring mosquitoes, parading thunderheads, apprehensive bait shrimp, and gulls yelling dirty gull-words. He was a master of metaphors and similes, both evocative ("a cathedral of evergreens") and whimsical ("a voice like a bearing about to go"), and a prolific word creator; e. g., the "skirring" of insects, the "whuffing" of passing traffic, and the "spanging" of breaking wires. The stories are laced with dry humor ("His cologne arrived three steps before he did.") and intriguing details about a wide variety of settings and other subjects, ranging from hot air ballooning to stamp collecting, and, of course, the inexhaustible topic of boating. JDM's style has one recurring, predominant tone: enjoyment of life. As an aspiring writer of popular fiction, I have a list of authors whose work I intend to study. JDM is near the top. I know I'll be learning a lot from him, and enjoying every minute. Reading his stories for entertainment was just Chapter One.Â

I first read the Lonely Silver Rain many years ago and was happy when it became a Kindle Daily Deal. Once again, I f pundits what on the surface is a "detective" novel to be so much more. McDonald's writing and storytelling are magnificent. Travis McGee. Is more human and more alive then a lot of real people I know. He wanders thru the twists and turns of the murders of the three young people with a moral sensibility that is both admirable and rare. He is loyal to his friends and even to people he just becomes acquainted with. McGee.is a hero without ever trying t become one.But what sets The Silver Lonely Silver Rain above the crowd is the deft creation of the mystery of the kittens and the daughter he never kne. I remember weeping the first time I read the letter at the end of the book and I we pt again this time. How rare to be moved.by a "detective" novel.The Lonely Silver Rain is a great piece of American literature.

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